Handsome, headstrong Jacob offers Lilly his hand in marriage, but his heart belongs to someone else. While Lilly Lapp has loved Jacob for years, she wouldn't compete with Sarah King, the woman Jacob was determined to marry. But when Sarah marries another, Jacob spontaneously agrees to wed Lilly. Lilly divides her time between teaching the local Amish children and caring for her widowed mother who suffers from depression. Lilly's faith comforts her, but her heart still longs to be the sole object of Jacob's affection. As the days slip by, Lilly decides that hoping is too risky and vows to protect her heart. But God is subtly as work, and as winter turns to spring, their hearts awaken. The furthest thing from Lilly's mind is her Amish wedding quilt, a traditional gift for new brides. And the person she'd least suspect is the one making it. Like stray pieces of fabric quilted into a new design, Jacob and Lilly's marriage begins to bind them together in ways neither expected.
Jerzy Skolimowski is one of the most original Polish directors and one of only a handful who has gained genuine recognition abroad. This is the first monograph, written in English, to be devoted to his cinema. It covers Skolimowski's career from his early successes in Poland, such as Identification Marks: None and Barrier, through his emigre films, Deep End, Moonlighting and The Lightship, to his return to Poland where, in 2008, he made the internationally acclaimed Four Nights with Anna. Ewa Mazierska addresses the main features of Skolimowski's films, such as their affinity to autobiographism and surrealism, while discussing their characters, narratives, visual style, soundtracks, and the uses of literature. She draws on a wide range of cinematic and literary texts, situating Skolimowski's work within the context of Polish and world cinema, and drawing parallels between his work and that of two directors, with whom he tends to be compared, Roman PolaA ski and Jean-Luc Godard. 'Ewa Mazierska's monograph is the first book-length study of his [Jerzy Skolimowski's] work, nearly half a century after his emergence as a one-man Polish New Wave ...Mazierska eschews a chronological survey in favour of five themed essays . ..this approach allows her to make connections between outwardly disparate films and mount a convincing challenge to the received opinion that there are fundamental differences between his Polish and non-Polish output ...this is an important, desperately overdue book.' Sight & Sound Ewa Mazierska is Professor of Contemporary Cinema, Department of Humanities, University of Central Lancashire. Her publications include Crossing New Europe: The European Road Movie (Wallflower Press, 2006), Dreams and Diaries: The Cinema of Nanni Moretti (Wallflower Press, 2004) and From Moscow to Madrid: Postmodern Cities, European Cinema (I.B. Tauris, 2003), all co-authored with Laura Rascaroli and Women in Polish Cinema (Berghahn Books, 2006), co-authored with ElA bieta Ostrowska.