Richard C. Atkinson was named president of the University of California in August 1995, barely four weeks after the UC Regents voted to end affirmative action. How he dealt with the admissions wars--the political, legal, and academic consequences of that historic and controversial decision, as well as the issue of governance--is discussed in this book. Another focus is the entrepreneurial university--the expansion of the University's research enterprise into new forms of scientific research with industry during Atkinson's presidency. The final crisis of his administration was the prolonged controversy over the University's management of the Los Alamos and Livermore nuclear weapons research laboratories that began with the arrest of Los Alamos scientist Wen Ho Lee on charges of espionage in 1999. Entrepreneurial President explains what was at stake during each of these episodes, how Atkinson addressed the issues, and why the outcomes matter to the University and to the people of California. Pelfrey's book provides an analysis of the challenges, perils, and limits of presidential leadership in the nation's leading public university, while bringing a historical perspective to bear on the current serious threats to its future as a university.
Jerzy Skolimowski is one of the most original Polish directors and one of only a handful who has gained genuine recognition abroad. This is the first monograph, written in English, to be devoted to his cinema. It covers Skolimowski's career from his early successes in Poland, such as Identification Marks: None and Barrier, through his emigre films, Deep End, Moonlighting and The Lightship, to his return to Poland where, in 2008, he made the internationally acclaimed Four Nights with Anna. Ewa Mazierska addresses the main features of Skolimowski's films, such as their affinity to autobiographism and surrealism, while discussing their characters, narratives, visual style, soundtracks, and the uses of literature. She draws on a wide range of cinematic and literary texts, situating Skolimowski's work within the context of Polish and world cinema, and drawing parallels between his work and that of two directors, with whom he tends to be compared, Roman PolaA ski and Jean-Luc Godard. 'Ewa Mazierska's monograph is the first book-length study of his [Jerzy Skolimowski's] work, nearly half a century after his emergence as a one-man Polish New Wave ...Mazierska eschews a chronological survey in favour of five themed essays . ..this approach allows her to make connections between outwardly disparate films and mount a convincing challenge to the received opinion that there are fundamental differences between his Polish and non-Polish output ...this is an important, desperately overdue book.' Sight & Sound Ewa Mazierska is Professor of Contemporary Cinema, Department of Humanities, University of Central Lancashire. Her publications include Crossing New Europe: The European Road Movie (Wallflower Press, 2006), Dreams and Diaries: The Cinema of Nanni Moretti (Wallflower Press, 2004) and From Moscow to Madrid: Postmodern Cities, European Cinema (I.B. Tauris, 2003), all co-authored with Laura Rascaroli and Women in Polish Cinema (Berghahn Books, 2006), co-authored with ElA bieta Ostrowska.