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A Week At The Airport : A Heathrow Diary

RRP $19.99

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In the summer of 2009, Alain de Botton will be invited by the owners of Heathrow airport to become their first ever Writer in Residence.

He will be installed in the middle of Terminal 5 on a raised platform with a laptop connected to screens, enabling passengers to see what he is writing and to come and share their stories. He will meet travellers from around the world, and will be given unprecedented access to wander the airport and speak with everyone from window cleaners and baggage handlers to air traffic controllers and cabin crew.

Working with the renowned documentary photographer Richard Baker, de Botton will produce an extraordinary meditation upon the nature of place, time, and our daily lives. He will explore the magical and the mundane, personal and collective experiences and the interactions of travellers and workers all over this familiar but mysterious site.

Like all airports, Heathrow (the 15th century village of Heath Row lies beneath the short stay car park) is a 'non-place' that we by definition want to leave, but it also provides a window into many worlds - through the thousands of people it dispatches every day. A Week at the Airport is sure to delight de Botton's large following, and anyone interested in the stories behind the way we live.

Author Biography: Alain de Botton is the bestselling author of books on the philosophy of subjects including love, travel and status. He is the founder of The School of Life, an organisation in London for whom he has conducted a guided weekend tour of Heathrow airport.


Lauren Bacall Shares A Limousine

RRP $18.70

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LAUREN BACALL SHARES A LIMOUSINE celebrates women--famous, infamous, the fictional and the footnote, from Frida Kahlo to a Civil War soldier to the mother of Louis Braille to Mata Hari to Dorothy of Oz to Janis Joplin, and many more--in this irresistible and overflowing fountain of witty, sparkling and sensitive poems in voices. Poet Susan J. Erickson seemingly absorbed all the fascinating biographies and telling details of these women's lives, then spilled out poems that brim with memorable metaphor and insight. I'm reminded how profoundly and efficiently a poem can express human experience, and that women's experiences, never doubt it, are boundless.

--Kathleen Flenniken, author of PLUME

In LAUREN BACALL SHARES A LIMOUSINE, Susan J. Erickson reinvigorates the tradition of the dramatic monologue. "I sit still," reflects Lucy, the wife of John James Audubon, during a silhouette cutting. "The scissors know only / the shape of what is, / not what will be." Explaining her love for F. Scott Fitzgerald, his wife Zelda recalls, "Because he moved with the grace of a fencer / dueling with his shadow." But the women of these pages are more than wives; they are pilots and prisoners of war, makers and musicians, actors and artists. One of several standout ekphrastic sequences invokes Georgia O'Keeffe's sense of the Southwest landscape: "a place that picks clean / the gristle and fat of regret." Equally inventive is the collection's play with occupying outside texts--Zelda's "recipe" for bacon and eggs, Marilyn Monroe's self-portrait as the menu items at Schrafft's--and received forms such as the abcedarian and the pantoum. Erickson has a gift for arresting openings, as when "Emily Dickinson Introduces Her Blog" "Propelled by chance's cosmic pull / This Thing called Internet / Allows me from my garret space / To publish this gazette." Clever, haunting, voluptuous, and nervy in turn, these poems challenge our understanding of womanhood across two continents and three centuries.

--Sandra Beasley, author of I WAS THE JUKEBOX and COUNT THE WAVES

In Susan J. Erickson's highly-crafted collection of poems, LAUREN BACALL SHARES A LIMOUSINE, we return to the women who came before us. From the well-known Frida Kahlo and Marilyn Monroe to the lesser-known Monique Braille and Lucy Audubon, these poems offer surprise, delight, and poignancy. Erickson's sharp sense of play and imagination is her signature on these poems--the Venus de Milo dresses for a Halloween party, the Little Mermaid joins the Aquatic Arts Academy. The reader is rewarded with every turn of the page as the lives (both real and imagined) are spoken, explored, and expanded. Here, women stretch in the spaces "of the calm and chaos of sunrise and sunset, / the shimmer of amber, / the roar from the lion's mouth." Smart and accessible, these poems satisfy our desire for stories, and Erickson doesn't disappoint. Recommended for every bookshelf.

--Kelli Russell Agodon, Author of HOURGLASS MUSEUM & THE DAILY POET



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